Crocodile Production Music
Crocodile Production Music
Ominous
Genres
↓
Genres World Songs Instruments
Track
Description
Composer
Play
Are You There
0m 41s - 5431254Q 		Tension building with low bass underscore and telephone rings. M. Ironton/M. Faddy
Big Theme
1m 27s - 447055AN 		Full orchestral theme builds to crescendo. Jeffrey Crampton
Big White 1
1m 18s - 438614AQ 		Urgent, pulsing piano with unsettling brass. M. Ironton/R. Magness
Big White 2
1m 33s - 438614AQ 		Urgent, pulsating piano with unsettling brass. M. Ironton/R. Magness
Cadmium 1
1m 48s - 8764566V 		Slow, etherial, breathy string texture joined by bass drone with guitar SFX overlaid. M. Ironton /J. Mealing
Carl 1
0m 20s - 8770014H 		Short sting with piano over sustained breathy chord. M. Ironton/M. Faddy
Carl 4
0m 47s - 8770014H 		Sustained tense chords with pulse voice texture over. M. Ironton/M. Faddy
Carl 5
0m 40s - 8770014H 		Sustained high and low string texture leading to a warm string resolve. M. Ironton/M. Faddy
Carloo
0m 44s - 438614BP 		Slow, apprehensive, warm chords. M. Ironton/M. Faddy
Caves 1
2m 52s - 438614LW 		High, suspenseful beginning joined by warm chord movement with sound design and light bells overlaid leading to a more ominous ending. M. Ironton/M. Faddy
Caves 2
0m 59s - 438614LW 		Slightly unsettling chord texture. M. Ironton/M. Faddy
Churia
1m 6s - 438613BU 		Soft percussion over a low drone with a string texture build resolving into a major resolve with french horn. M. Ironton/M. Faddy
Codebreaker 1944
2m 10s - 438613CR 		Dramatic orchestral. Jeffrey Crampton
Darker Still
0m 42s - 446045LP 		Etherial unsettling voices. M. Ironton/M. Faddy
Darkness
2m 49s - 448515GS 		Begins with a high bell sequence joined by low electric bass drums and keyboards. Nicholas Magnus
Deep 10
0m 26s - 8795263N 		Begins with breathy chords joined by French Horn. Ironton / Faddy
Deep 5
0m 28s - 8795263N 		Begins with piano and string texture then becoming ominous. M. Ironton/M. Faddy
Deep 6
4m 7s - 8795263N 		Low cello with high ominous strings and sound design building up to impending danger. M. Ironton/M. Faddy
Deep 7
2m 42s - 438613GN 		Ominous low chord texture. M. Ironton/M. Faddy
Deep 8
3m 44s - 8795263N 		Slightly ominous low strings with distant piano joined by bass pulse and French Horns. Ironton / Faddy
Deep 9
1m 58s - 8795263N 		Begins with low menacing string sound then into bass pulse joined by French horns. Ironton / Faddy
Delta
1m 6s - 440046AV 		Long, slightly ominous chords joined by Far Eastern percussion. M. Ironton/M. Faddy
Discovery
0m 34s - 440106DW 		Orchestral textures and big hits. M. Ironton /J. Mealing
Don't 2
3m 19s - 440046CN 		Low, haunting chords joined by french horn and piano at the end. Malcolm Ironton
Don't 3
1m 24s - 446045LW 		Low, haunting chords joined by french horn at the end. M. Ironton/M. Faddy
Don't 4
0m 46s - 446045LQ 		Ominous, low rumble joined by pensive string texture and french horn. M. Ironton/M. Faddy
Dru 2
1m 57s - 438616CP 		Long sustained chord texture with etherial guitar and sound design over. M.Ironton/M.Faddy/A.Coles
Dru 8
0m 18s - CM-318-00 		Sustained unsettling chord with etherial sound over. M.Ironton/M.Faddy/A.Coles
Dru 9
0m 8s - 438616CP 		Short stabs with repeat SFX. M.Ironton/M.Faddy/A.Coles
Edge
0m 43s - 440046BN 		Low, suspenseful drone moving to high sustained string texture. M. Ironton/M. Faddy
Himalay
1m 55s - 440045FT 		Begins with a soft string texture and light percussion then becomes slightly ominous resolving with pan pipes and french horn. M. Ironton/M. Faddy
Hip Night in the Graveyard
2m 15s - 447829GR 		Ghoulish dance; midnight in the graveyard, brass hip style. Jeffrey Crampton
Jumia
1m 53s - 8770025Y 		Begins with french horn joined by rhythmic pipes with a slightly menacing undercurrent over a string texture. M. Ironton/M. Faddy
Kumi
0m 27s - 446711DQ 		Long, sweeping, sparkly, chord texture. M. Ironton/M. Faddy
Kusmao
1m 19s - 440105EV 		Begins with voice texture moving into a more ominous feel. M. Ironton/M. Faddy
Light at the End of the Tunnel
2m 13s - 447149CU 		Dramatic strings, on to brass and orchestral percussion. Jeffrey Crampton
Lowland
0m 37s - 446046AN 		Low, rumbling, voice texture with haunting top line joined by french horn. M. Ironton/M. Faddy
Ogre 1
0m 13s - 438746CS 		Short ominous sting. M. Ironton/M. Faddy
Ogre 3
0m 25s - 438746CS 		Sustained ominous chord texture. M. Ironton/M. Faddy
Omnia 1
2m 37s - 438746CV 		Ominous string texture with low bass pulse and sound design over. M.Ironton/M.Faddy/A.Coles
Omnia 2
0m 21s - 447830HV 		Sustained ominous string texture with low cello's. M.Ironton/M.Faddy/A.Coles
Omnia 3
0m 54s - 438746CV 		Ominous low string texture. M.Ironton/M.Faddy/A.Coles
Omnia 4
0m 33s - 438746CV 		Sustained ominous low string texture. M.Ironton/M.Faddy/A.Coles
Omnia 6
2m 18s - 438746CV 		Sustained string texture with low bass pulse building to a big sound stab at the end. M.Ironton/M.Faddy/A.Coles
Patrol
0m 33s - 438746EM 		Short piece beginning with a low rumble joined by more positive ambient sounds. M. Ironton/M. Faddy
Pheric 2
0m 12s - 438746ES 		Atmospheric short sting. M. Ironton/M. Faddy
Quant Tri
0m 35s - 438746FP 		French horn lead in joined by Far Eastern percussion over a slightly ominous chord bed. M. Ironton/M. Faddy
Sari
1m 44s - 438746FT 		High, ominous, sustained string texture joined by a pan pipe and atmospheric sounds resolving to a more positive end. M. Ironton/M. Faddy
Scarlata
1m 53s - 447054LT 		Low, ominous drone with piano and french horn signatures. M. Ironton/M. Faddy
Ships 1
0m 28s - 8769813L 		Short sting with slightly ominous cellos and timps. Malcolm Ironton
The Mission
0m 40s - 440106CT 		Flute and percussion joined by slightly ominous brass. M. Ironton/A. Coles
Varlu
0m 29s - 440105FR 		Ominous, brass texture over a low bass drone. M. Ironton/M. Faddy
Vietnam 2
0m 18s - 7248991J 		Gentle percussion with underlying slightly sinister chords. M. Ironton/M. Faddy
When
2m 32s - 438745EN 		Gentle piano lead joined by string texture and french horn, becoming very ominous then leading to a melodic, optimistic, expansive finale. M. Ironton/M. Faddy
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