Crocodile Production Music
Crocodile Production Music
Danger
Track
Description
Composer
Play
Antarctica
2m 7s - 447149AQ
Cold synth sounds - very chilled . Jeffrey Crampton
Are You There
0m 41s - 5431254Q
Tension building with low bass underscore and telephone rings. M. Ironton/M. Faddy
Big White 1
1m 18s - 438614AQ
Urgent, pulsing piano with unsettling brass. M. Ironton/R. Magness
Big White 2
1m 33s - 438614AQ
Urgent, pulsating piano with unsettling brass. M. Ironton/R. Magness
Codebreaker 1944
2m 10s - 438613CR
Dramatic orchestral. Jeffrey Crampton
Dark Cave
0m 42s - 440106DM
Etherial voices joined by low, suspenseful sounds. M. Ironton/M. Faddy
Deep 10
0m 26s - 8795263N
Begins with breathy chords joined by French Horn. Ironton / Faddy
Deep 3
1m 25s - 8795263N
Begins with low apprehensive string texture becoming more optimistic. M. Ironton/M. Faddy
Deep 5
0m 28s - 8795263N
Begins with piano and string texture then becoming ominous. M. Ironton/M. Faddy
Deep 6
4m 7s - 8795263N
Low cello with high ominous strings and sound design building up to impending danger. M. Ironton/M. Faddy
Deep 8
3m 44s - 8795263N
Slightly ominous low strings with distant piano joined by bass pulse and French Horns. Ironton / Faddy
Deep 9
1m 58s - 8795263N
Begins with low menacing string sound then into bass pulse joined by French horns. Ironton / Faddy
Discover
0m 30s - 438613GU
Slightly ominous with orchestral hits. M. Ironton /J. Mealing
Discovery
0m 34s - 440106DW
Orchestral textures and big hits. M. Ironton /J. Mealing
Don't 1
1m 46s - 440046CN
Low, apprehensive string texture joined by french horn. M. Ironton/M. Faddy
Don't 2
3m 19s - 440046CN
Low, haunting chords joined by french horn and piano at the end. Malcolm Ironton
Don't 3
1m 24s - 446045LW
Low, haunting chords joined by french horn at the end. M. Ironton/M. Faddy
Escape from the Grim Reaper
2m 9s - 447830AU
Fast moving rock track, strings, drums & guitar. Jeffrey Crampton
Himalay
1m 55s - 440045FT
Begins with a soft string texture and light percussion then becomes slightly ominous resolving with pan pipes and french horn. M. Ironton/M. Faddy
Jumia
1m 53s - 8770025Y
Begins with french horn joined by rhythmic pipes with a slightly menacing undercurrent over a string texture. M. Ironton/M. Faddy
Kusmao
1m 19s - 440105EV
Begins with voice texture moving into a more ominous feel. M. Ironton/M. Faddy
Lana
0m 46s - 446047AM
Slightly pensive chords. M. Ironton/M. Faddy
Lowland
0m 37s - 446046AN
Low, rumbling, voice texture with haunting top line joined by french horn. M. Ironton/M. Faddy
March of the Aliens
1m 41s - 447829CW
Starts with orchestral march, on to modern beat with synths. . Jeffrey Crampton
Night of the Demon
1m 51s - 447830BN
Horror track; spooky voices and weird music. Drums sequenced . Jeffrey Crampton
Ogre 1
0m 13s - 438746CS
Short ominous sting. M. Ironton/M. Faddy
Ogre 4
1m 3s - 438746CS
Begins with a high string joined by low ominous sounds then resolving with french horn and strings. M. Ironton/M. Faddy
Patrol
0m 33s - 438746EM
Short piece beginning with a low rumble joined by more positive ambient sounds. M. Ironton/M. Faddy
Pheric 1
0m 10s - 438746ES
Atmospheric short sting. M. Ironton/M. Faddy
Pheric 2
0m 12s - 438746ES
Atmospheric short sting. M. Ironton/M. Faddy
Quant Tri
0m 35s - 438746FP
French horn lead in joined by Far Eastern percussion over a slightly ominous chord bed. M. Ironton/M. Faddy
Room 102
1m 56s - 9396937A
Strings, piano, brass with marching drums. Colin Watson
Sari
1m 44s - 438746FT
High, ominous, sustained string texture joined by a pan pipe and atmospheric sounds resolving to a more positive end. M. Ironton/M. Faddy
Scarlata
1m 53s - 447054LT
Low, ominous drone with piano and french horn signatures. M. Ironton/M. Faddy
Ships 1
0m 28s - 8769813L
Short sting with slightly ominous cellos and timps. Malcolm Ironton
Ships 7
0m 25s - 8769813L
Short sting beginning with low cellos joined by french horn. Malcolm Ironton
Varlu
0m 29s - 440105FR
Ominous, brass texture over a low bass drone. M. Ironton/M. Faddy
Vietnam 2
0m 18s - 7248991J
Gentle percussion with underlying slightly sinister chords. M. Ironton/M. Faddy
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